After multiple attempts, a few great performances by actors I love, one turtle, and lots and lots and lots of talk of Dada, Tom Stoppard's work is officially not for me.
There's so much to celebrate about Lindsey Ferrentino's Amy and the Orphans. The play is not only one of the better things of the season but it manages to be funny, entertaining, well-acted, and a major victory for inclusion. Ferrentino's title character has Down Syndrome, and is played by Jamie Brewer, who also has the disease (as does her understudy, Eddie Barbanell. The play becomes Andy and the Orphans when he plays the role.) Amy is never the butt of a joke, never a punch line, and is never exploited, as writers and directors often tend to do when dealing with disabled actors or characters. But of course, that's Ferrentino's intention. Amy has been locked away in group homes (some terrible, some good) her entire life, with limited time spent with her own family. She has had to fend for herself but has developed into a strong individual with likes and dislikes, and even has a boyfriend and a job. Amy has clearly had to overcome a great deal in her life, and...
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