Disco Pigs, the 20th anniversary revival now playing at the Irish Repertory Theater, and Ballyturk , making its US premiere at St. Anne's Warehouse, are my second and third Enda Walsh experiences. (Well, fourth, if you count the Tony award-winning book to the musical Once .) The first being last season's Arlington , which I truly, truly disliked. It had so much promise for me, someone who is a fan of dystopian, speculative stories, and yet, it was an incomprehensible bore. Fool me once, shame on you. And yet, I was somehow excited for Disco Pigs, thanks to a glowing response from a friend who saw the same production in London. But as it got closer to showtime, I had a little trepidation about understanding it. You see, Disco Pigs is written in a mix of Cork dialect and the secret language the two characters, Pig and Runt, have created for themselves. I had nothing to worry about, ultimately. I found that so long as I focused on the language, I had no problem following any...